There is something about the silent communications that huge satellite dishes suggest that I find intriguing and an inspiration in my work.
Landscape No. 2 (80 x 100cms)
There is something about the silent communications that huge satellite dishes suggest that I find intriguing and an inspiration in my work.
Landscape No. 2 (80 x 100cms)
The signature print from my current exhibition, Jianguomen No. 1, was auctioned in London last Monday at the Emerging Markets Benefits Ball to raise money for charity.
The money raised will continue to support Task Brasil ( www.taskbrasil.org.uk), who act to support street children in Brasil; Health Unlimited (www.healthunlimited) which works in 15 countries globally in helping to build sustainable community-based healthcare; Cotlands (www.cotlands.org), a South African group of hospices which offer residential, palliative and respite care to children with HIV/Aids; and Downside Up, (www.downsideup.org), whose mission is to improve the quality of life for children with Down’s Syndrome within the Russian Federation.
Jane Chan in the new studio
Chinese artist Sheng Qi with banned painting for The Age newspaper
New Work exhibition poster
Landscape Nos. 1-9, Beijing (80 x 100cms)
Panels Nos. 1-3, Beijing (85 x 150cms)
New work
Private view 3-6pm today. The exhibition runs until 15th November
Jianguomen No. 1 (64 x 84cms)
My new pro digital SLR camera. Five days old